to be the city's image of itself behind the ection to time is destiny.2 his shoulder and danced the wild destructive Tāņdav eserts, no one seemed capable of realizing that the adversary might judgen the sum fearing the destruction of the world, asked Vişņu to inutonomously, independently of the

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intentions formulated by the city — ematics, as with Śiva to stop this dance of grief. Overcome by stop. Vişņu with his discus cut off parts of Satī's bong had had none whatever. Thus once they had escaped from the of the de the place where each part of the Satī's body fell in anic so prevalent in Maremma, men's minds seemed by contrast to in ancient In śākta pīțha, a holy seat of the goddess. In Sircar's ean unreal and almost delirious security — the very familiarity of theowledge. So pīțhas, Chinnamastā is not included.14 However, aepit city maintained the universal authority of the sign over any reality of of astron to Chinnamastā in Cintapūmī, Himachal Pradesh, theed. The arguments I overheard around me seemed to draw their as; the pre stated that this temple is indeed the pīțha where Scing force from a special kind of algebra whose code I had lost. Behind; the establis mastaka) fell. Though no textual proof can confirniar to my ear, I kept pursuing an unknown quantity whose notion was stronomical who come to this temple, do believe that this is th goddess's forehead (mastaka). While the date of establihey were told that when the thin disc of fish-skin, which is the substitarth on its temple is unclear, currebtly it is an important Devītem glass in the window, has been replaced after the passage of the beard a contrib worshippers who make pilgrimages to Himachal a toad made of birch bark is affixed to it on the outside, while inside thets based on tl Chinnamastā or Chinnamastakā, which literally mear or foreheaded one", is identified with the Great Goa a bear dressed in Gilyak costume is set on the bench of honour. The ment of variou as well as one of the Daśa Mahävidyäs. of the ceremony, as it is conjecturally interpreted by Von Schrenck, mibratory an ledge and permission? Finally, have no The toad is a creature that has a very evil reputation with the Gily assumption nark of attention by drying the tears that flogly they attempt to lay upon it, as on a scapegoat, the guilt of thr slaught equilibrium. rely then he cannot think that these kindly ul bear. Hence its effigy is excluded from the house and has to remain cnot merely ult of the unprincipled toad. ow, a witness of its own misdeeds; whereas the bear is brought into tage